Shape Shift
Vertigo (2026)
80 x 100 cm
XPS, Pigment, Resin & Steel
Brutal Blue (2025)
23 x 28 cm
XPS, Pigment, Resin & Steel
Blue plays a central role in Western culture – as a projection surface for transcendence, depth and infinity. Yves Klein already understood the power of this colour as an immaterial space, as an emotional and spiritual field. In these works, however, blue is not only used as a colour, but as an antithesis within a system of contrasts. The primary focus is not on colour tension, but on the duality of structure and surface, of control and physicality.​​
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Portal (2026)
58 x 100 cm
XPS, Pigment, Resin & Steel
​​​A velvety ultramarine surface meets high-gloss polished white, interrupted by flesh-coloured light pink indentations. Geometric shapes are in the foreground and function as a principle of order, as structuring instances within this field of tension. They open up changing perspectives and set different spatial focal points. This shifts perception: the colour contrast recedes, while the contrasts between smooth and organic, hard and soft, distant and close to the body come to the fore. The duality becomes not only visible, but structurally tangible.
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Lapislazuli (2025)
80 x 100 cm
XPS, Pigment, Resin & Steel
